Two cows in a landscape or at least one cow. The ‘cow’ on the lower right seems to be transitioning into some sort of solid state. Painting is often a very emotional process so the artist can't always explain exactly what or why he has painted the things he has. The color scheme here owes a lot to the work of Toulouse Lautrec though he rarely used impasto.
This painting is unframed and is painted on a rigid wood fibre panel. The paint mediums have been prepared by hand in my studio. The color pigments are of the finest grade and highly lightfast. Very resistant to fading when exposed to light.
Two cows in a landscape or at least one cow. The ‘cow’ on the lower right seems to be transitioning into some sort of solid state. Painting is often a very emotional process so the artist can't always explain exactly what or why he has painted the things he has. The color scheme here owes a lot to the work of Toulouse Lautrec though he rarely used impasto.
This painting is unframed and is painted on a rigid wood fibre panel.
The paint mediums have been prepared by hand in my studio. The color pigments are of the finest grade and highly lightfast. Very resistant to fading when exposed to light.